Sorry for the long absence. I seem to be going in all directions over the last week. All good stuff, as usual, but it has been a little too fragmented for me to settle in and feel like I'm heading steadily in one direction. I feel better about it this morning though, so maybe I'm back on track.
Preparing for the Taurus party next Sunday the 15th at 2:30 is beginning to take front billing. Though I'm trying to apply water based finish to the library floor at Pacific Textile Arts each day so that we can get six coats on each section before our rummage sale early in June. I really appreciate the help that has been offered toward that project. Beta came last week and carefully vacuumed the book room floor and wiped it down in preparation for my beginning the painting. Much appreciated. If anyone cares to step in, we need to get the interior wall of the classroom painted before Greg Tregoning can reposition the white boards on the wall. Just call me if you'd like to help out with this project. Remember that all friends are invited to the Taurus party on Sunday. It is a potluck so bring some tasty little thing. Call if you need info.
I won't feel satisfied until I fill in just a few more things about the activities on the short trip to Italy. One of the most amazing highlights of museum going that week was a visit to another major museum, housed in one of the many Savoy palaces in and near the outskirts of Torino. Again, the celebration of the 150th year of Italian unification influenced the design of a magnificent fine arts exhibition. The monumental space was divided with remarkable fluidity, into ten areas to show "the best picks" of art and artifacts from the major city states that came together to form the unified Italy we now know. The Venaria Reale, the Palace of Italy, is the site of one of the most intriguing collections of art I've seen. And it is installed with the usual Italian flare for design, and then some. The lofty interior walls of the palace were partially lined with thick, sturdy mock fortress walls, simulating soft grey brick relief. The forms and dimensions of the walls varied in a most artful and pleasing manner. Pedestals and walls of these grey tones were a perfect backdrop for the art. The most shocking and amazing feature of the installation was the use of fake outdoor grass placed on the floor in amoeba like shapes, forming walkways and interruptions of walkways. If this were employed in most other venues I know of, it would end up being "hokey" and unseemly. But no; Somehow, it was done with such skill and sensitivity that, after the initial shock, it began to feel like a completely natural feature of the design. Toward the end, somewhere in the "Venezia" section, the grass shapes were replaced with mirrored glass. This, of course, results in marvelous, seductive reflections of the water focussed paintings that prevail in that section. It takes my breath away just thinking of this magical atmosphere that they have created.
The sections of this tour through Italy begins with Roma, moving on through Firenze, Torino, Genova and Palermo. Then we wander through Napoli, Bologna, Parma e Modena, Milano and finishing with Venezia. I have always been a huge fan of good art installation. Feeling that installation is a legitimate art form in its own right, I am sometimes more taken by it than the art being exhibited. But the real thrill, the one that makes me almost cry as I write about it, is when the art and the installation truly become one. This is certainly the case for this amazing show of the finest that each city state has to offer. They really had their pick of the best. There were obviously intellectual decisions made as well as aesthetic ones regarding the choices of work from each area. In Roma the theme was Antiquity and Religion. For Firenze, it was the art and the national idiom with Dante, Giotto and Donatello representing their particular specialties. How delicious.
Torino was of course of great interest to us because that is where we were. I have come to have great affection for that area with the Poe River running gracefully through the beautiful old northern city. Parklands border almost every inch of the view as you drive by and across the river toward the steep hills that lead one to the nearby communities such as Moncalieri, where Steve and Susan and Mira live. As much as I adore my yearly visits to Mexico, I think that I am actually a northerner at heart. Must harken back to some of my Danish and Irish heritage. On the last full day we spent in Italy, Steve took us to the Alps where we ate lunch in the village which sits at the foot of the Italian side of the Matternorn. (Montblanc).
Back for just a minute to the exhibit. I paused along the outside wall during my walk through the Genova section and sat down on a bench, joining a man, his wife and her sister. He was obviously Italian, the two women were French. I asked him a question about the painted renditions of the high windows and doors that had been arrousing my curiosity. He was eager to tell me the answer to my question and began an enthusiastic conversation about all sorts of things. I sighted Steve in his wanderings and called him over. He and the man began a lively conversation about Torino once he learned what Steve was doing there. He had been a manager at Fiat for many years and was eager to share and visit. The two women and I became enthusiastic onlookers to the conversation between the two men about the automotive industry, the old assembly line which became such a lasting visual memory for anyone who enthused over the many Mini-Coopers whizzing down the circular runway in the "Italian Job." What a delightful little interlude before I wandered off to finish my viewing.
I exited to the main outer hall, where, at the bookshop, I bought a catalogue for me and one for Mira and family. Then I sat and looked out the window at the amazing gardens which are also a major feature of this exhibit space. Later this year, this will be the site of a huge Leonardo exhibit. What a rich year for museum goers in Torino. How happy I am that I got to see
la bella Italia and can only imagine how creative the mounting of the Leonardo show will be.
Before I reach the point where I can get on with the business of my "here and now" I must mention our visit to the Museo Nazionale Del Cinema. This is a cinema museum to end all. It is housed in a building that was designed and built to be a synagogue but never actually did become one. It features a magnificent dome, and exhibits wind their way from an upper floor, down through the framework of the building via ramps that look down upon the main floor and also lead to small individual galleries. The visitor is led first through thoughtful presentations of the rules of physics having to do with light and dark and all the properties that become part of film and the industry that revolved around it for so many years. It finishes with an introduction to the digital arts of course and then you find yourself on the main floor at the end of your trek, surrounded by "resting couches" aimed toward several huge cinema screens showing classic old movies, mostly Italian but not all. From the floor below, visitors who wish to pay for the privilege, are loaded into a glass cage elevator that pierces through the center of this couched viewing area and lifts all the way up into the top of the dome. Spectacular. If I didn't have such a problem with heights, I would take that trip for sure. This museum is something that everyone visiting Torino should make an effort to get to. Movies are not necessarily a big, important focus in my life, but I have never seen anything like the presentations that you will find during a journey through this exhibit. There is science, humor, excitement, razzmatazz, history and an overall feeling that you've never seen anything anywhere quite like this before.
I guess that should wrap it up for Italy so I can move on. But did I tell you about Eatily? The home of slow food? I'll check back and mention it next time if I haven't yet. Yum. The art center has just called me and made it clear that they are patiently (or perhaps not) waiting for me to send them some pictures of my garden. In a very weak moment a while back, I agreed to let it be on the Mendocino Art Center's garden tour this year. That agreement was only reached after I asked them to portray it as a "Work in Progress — Gateway to the Noyo River." Many of you know that I have never intended my garden to be one of the perfectly manicured kinds of gardens I usually associate with these tours. What have I done? I certainly can't do an about face now. There are pleasant things to see and I love working in and walking through my garden. But a showplace it isn't and never will be. So come at your own risk. It is a lovely walk down to the river though. And I recently planted some nice new trees. Some that Sachiyo gave me, a Weeping Elm that a group from the MLPA gave me as a memorial to Skip and of course my new Dogwood which I've wanted for years. And, I always enjoy my Katsura's, both regular and weeping, inspired by Shozo and Alice's Japanese garden. Last but not least, my third Gingko tree, given to me by Marilynn Thorpe to honor Skip, is happily greening by the side of the pond. Come visit if you like imperfect gardens murmuring with lots of love. `
Labels: View of pond from back of imperfect garden